Two short story rejections and counting. Three more pending. Stephen King lost count of how many rejections he got before he finally sold a short story, but it was at least a hundred.
Although my primary concern is finishing my novel, Mindfire, it's difficult for me to monomaniacally focus on it when I have other unrelated ideas floating about in me 'ead. So I've been writing a number of short stories lately, in the 1k-3k word range—flash fiction seems to be quite popular these days, and a lot of paying markets are seeking stories in that length range (or even shorter!).
So I alternate between writing the novel and writing short stories. Some of these I'll post for free on the blog (such as The Destiny of Kajiyama Shen), some of these I'll self-publish (such as The Demons of Lashtë and Chalice and Knives), and others I will put through the rigors of submitting to paying markets.
It's this last that is the simplest approach, and yet the most difficult. For an unknown author, the editors of these markets (short fiction magazines and so on) have to really like the submission in order to publish it. Even if you do a lot of research—reading all the back issues to find out what kinds of things they publish, and tailoring stories for the individual market—a story that most folks would enjoy reading, if they had a chance to, might get rejected because that particular editor just didn't happen to get grabbed by it.
That doesn't mean it's not good enough to get published anywhere; maybe the twentieth market you submit the story to will accept it, and you'll never know unless you keep trying. Since the list of (e.g.) SWFA paying markets is both finite and relatively short (about 30 markets currently), it would be reasonable and feasible to submit a given story to every market on the list (or at least the appropriate ones; some only accept SF or fantasy, not both).
From a probability standpoint, having a lot of stories to submit helps, because prose fiction markets don't tolerate simultaneous submissions. Each story can only be submitted to one market at a time, and it might be weeks before you hear back. In the meantime, that story can't be submitted to anyone else. So if you write another one, you can be shopping that one around as well. Each story in the pipeline increases your chance of selling one.
Do the math: If each story has a (let's be generous) 1% chance of being accepted on each submission, and there's 30 paying markets, then a given story will have a (1 - 0.9930) ~= 26% chance of being sold, if you were to submit it to all the markets. (For a given story, this might take a year or two, if each market takes a couple of weeks to respond.) Shop enough stories around to all the markets, and one of them might get sold.
You could get lucky and sell a story on your third or fourth submission. Or it might take hundreds, like Stephen King. The only thing you can do is not let yourself get discouraged, and keep at it: "Never give up. Never surrender."
Writing is hard. Writing well is harder. Writing well without going insane is impossible. Welcome to the writings and meanderings of Benjamin Clayborne.
Showing posts with label demons. Show all posts
Showing posts with label demons. Show all posts
11 February, 2012
Rejection
Labels:
chalice,
demons,
destiny,
markets,
mindfire,
persistence,
sfwa,
short stories,
writing
14 January, 2012
Elation
I did not expect instant success from publishing The Demons of Lashtë on Amazon. I know I'm a new author; it's going to take time, and a lot of relentless marketing, to get people exposed to my work. I'm confident that a lot of people will like it once they read it, but it's still a massive hurdle for me to get to the point where people are reading it.
Nonetheless, I had a very strong sense of elation and glee once I published the story. It was now a Real Thing that had Really Happened. And, unlike previous efforts in my life, I did not immediately decide that, having done this Real Thing, I was done. That was a good feeling. It let me know that I am really committed to the whole endeavor of writing as a career.
I've felt that I was, for a while; Mindfire, which is still in progress, I started last July, and I'm still working on it to this day, with no significant breaks (not counting Demons, which took a few days to write, edit, design the cover for, and publish). I've convinced myself I'm going to finish, and the end is in fact in sight; but the terrain between here and there is bumpy, and it's still going to be painful getting over it.
Building a career as a writer is hard no matter what. The traditional route involves a great deal of rejection, and not necessarily the promise of success; self-e-publishing means you can circumvent the gatekeepers, but then you get to do everything yourself—everything, including editing, design, publishing, marketing, and so on. It's a lot of work in either case. And I keep telling myself I'm going to succeed, because what other choice do I have?
Nonetheless, I had a very strong sense of elation and glee once I published the story. It was now a Real Thing that had Really Happened. And, unlike previous efforts in my life, I did not immediately decide that, having done this Real Thing, I was done. That was a good feeling. It let me know that I am really committed to the whole endeavor of writing as a career.
I've felt that I was, for a while; Mindfire, which is still in progress, I started last July, and I'm still working on it to this day, with no significant breaks (not counting Demons, which took a few days to write, edit, design the cover for, and publish). I've convinced myself I'm going to finish, and the end is in fact in sight; but the terrain between here and there is bumpy, and it's still going to be painful getting over it.
Building a career as a writer is hard no matter what. The traditional route involves a great deal of rejection, and not necessarily the promise of success; self-e-publishing means you can circumvent the gatekeepers, but then you get to do everything yourself—everything, including editing, design, publishing, marketing, and so on. It's a lot of work in either case. And I keep telling myself I'm going to succeed, because what other choice do I have?
09 January, 2012
The Demons of Lashtë is now available!
I'm pleased to announce that The Demons of Lashtë is now available on Amazon for Kindle! It's only $0.99, and well worth the price, if I do say so myself. (Well, of course I'd say that.)
I will see about publishing it for the nook and other platforms to come, but for now, I'm just happy to have my very first (self-, yes) published work out there and available for everyone to enjoy.
If you buy it and like it, please leave a review on Amazon, and tell your friends. I'll guarantee* it's the best dollar you (and they) will spend today.
* Not guaranteed.
I will see about publishing it for the nook and other platforms to come, but for now, I'm just happy to have my very first (self-, yes) published work out there and available for everyone to enjoy.
If you buy it and like it, please leave a review on Amazon, and tell your friends. I'll guarantee* it's the best dollar you (and they) will spend today.
* Not guaranteed.
Cover art for The Demons of Lashtë
So I finished writing The Demons of Lashtë, and my next big step was creating cover art. The consensus for short stories these days, when self-publishing, is to find appropriate stock photography and then modify it to make it look professional and appropriate. Or at least as much as one is capable of doing. I have virtually nothing in the way of artistic ability.
To that end, I present the cover art for The Demons of Lashtë:
This was created by combining two separate stock photos from Dreamstime (total cost: about $15), manipulating the colors on both, drawing in a little human figure with a halo, adding some text, and using a GIMP plugin called GIMPressionist to give it a painted feeling. The text is in a free font called Fairy Dust, and has several layers of drop shadow underneath to make it readable. The whole process took maybe two hours, plus a half hour or so of browsing through stock photos to find ones that I liked. (To the degree that the cover looks decent, all credit is due to my wife.)
The story should be published on Amazon for Kindle in the next couple of days.
To that end, I present the cover art for The Demons of Lashtë:
This was created by combining two separate stock photos from Dreamstime (total cost: about $15), manipulating the colors on both, drawing in a little human figure with a halo, adding some text, and using a GIMP plugin called GIMPressionist to give it a painted feeling. The text is in a free font called Fairy Dust, and has several layers of drop shadow underneath to make it readable. The whole process took maybe two hours, plus a half hour or so of browsing through stock photos to find ones that I liked. (To the degree that the cover looks decent, all credit is due to my wife.)
The story should be published on Amazon for Kindle in the next couple of days.
06 January, 2012
Shorts, and a sample
While my novel-in-progress, Mindfire, is still my primary focus, something I'm going to start doing is producing short stories on a regular basis (scroll down for a sample), and making them available for sale on Amazon (for Kindle). There's three primary reasons for this:
Exposure
Getting my work out there in a professional format is going to be helpful in building up an audience. I'm really starting from square one, here; aside from a few people who've followed this blog, or followed me on Twitter (hi guys!), or are friends on Mythic Scribes, I haven't exactly got what you'd call an audience. The novel will be several more weeks until it's finished at least; but I can take a little time out here and there to produce polished short stories that, I think, people will like.
Practice writing
One thing strongly recommended by a lot of "new-to-writing" guides and articles is to write short stories on a regular basis. There's a few reasons for this: they're easier to finish than a novel; they give experience with constructing a complete story without getting bogged down in all the elaborate developments that occur in a longer story; they don't lock you in to a particular fictional world and make you spend a lot of time on world-building.
I will be immodest here and claim that I don't need practice writing prose; you can judge that for yourself below, where I've included a sample of the first story I'm going to publish, The Demons of Lashtë. I'm confident that I'm already good at that part. (Not that there's no room for improvement, but...) It's really the process that's important: completing something, publishing it, getting feedback.
Practice publishing
I've experimented with the Kindle Direct Publishing platform before. It's missing a lot of functionality I wish it had, and I hope that Amazon will improve that in the future; but there's more to publishing a short story than just throwing it onto Amazon.
Exposure
Getting my work out there in a professional format is going to be helpful in building up an audience. I'm really starting from square one, here; aside from a few people who've followed this blog, or followed me on Twitter (hi guys!), or are friends on Mythic Scribes, I haven't exactly got what you'd call an audience. The novel will be several more weeks until it's finished at least; but I can take a little time out here and there to produce polished short stories that, I think, people will like.
Practice writing
One thing strongly recommended by a lot of "new-to-writing" guides and articles is to write short stories on a regular basis. There's a few reasons for this: they're easier to finish than a novel; they give experience with constructing a complete story without getting bogged down in all the elaborate developments that occur in a longer story; they don't lock you in to a particular fictional world and make you spend a lot of time on world-building.
I will be immodest here and claim that I don't need practice writing prose; you can judge that for yourself below, where I've included a sample of the first story I'm going to publish, The Demons of Lashtë. I'm confident that I'm already good at that part. (Not that there's no room for improvement, but...) It's really the process that's important: completing something, publishing it, getting feedback.
Practice publishing
I've experimented with the Kindle Direct Publishing platform before. It's missing a lot of functionality I wish it had, and I hope that Amazon will improve that in the future; but there's more to publishing a short story than just throwing it onto Amazon.
- Creating cover art. I've been directed to a few good stock photo sites, where I can get good pics cheap, modify them and put title/author's name on them, and use those. They just need to look professional enough that people aren't turned off, and ideally are enticed by the cover.
- Formatting the doc. I use Linux, and I've already got a suite of tools I use for converting OpenOffice documents to Amazon's .mobi format. There's still a lot of little gotchas to watch out for, and I haven't done this enough to be completely confident in getting the files exactly right, but it seems to work so far.
- Marketing. That's right, the dreaded m-word. I have an instinctive aversion to marketing, as I majored in Computer Science and have been, professionally, a web programmer for the last twelve years. I always feel like that pimping my work will make people recoil and say, "How arrogant!" But I'm slowly learning that this is (mostly, I hope) not the case. So I just need to get over it.
So, without (much) further ado, here's a sample of the first few paragraphs of the first story I'll be publishing: The Demons of Lashtë. I will definitely be posting here when the full story is available on Amazon. :-)
Sample of The Demons of Lashtë
The demon struck, and Anders Vasik let the blade flash through him, cleaving armor, flesh, bone, sinew. The pain was staggering. But the demon-sword emerged out the other side, cleansed of blood, as the two sides of the wound melded together, trailing the blade’s passage. Anders’s spell left a bitter tang of sulphur in the air.
The strike left the demon unbalanced, and in that moment Anders held out his palm. A blinding pinprick of white fire tore through the demon’s gray hide, making a fist-sized hole ringed in char. The carbonized flesh swirled away on the wind, and the demon’s face twisted with every ounce of the minimal emotion it was capable of displaying. It fell back, tumbling into the jagged canyon, to be devoured by the enormous shale lizards that lurked below.
Anders collapsed onto all fours. The blade’s passage had taken more out of him than he’d expected, but he’d survived. That was all that mattered. He’d recover, he’d live to fight the next demon, and the next.
He looked up, and across the canyon, to where the city of Lashtë loomed, silent behind its walls of blackened stone. They’d shone, those walls, golden in the morning, silver at noon, ochre in the setting sun. But no longer. The erupting wrath of countless demons thrashing wildly to climb, to break through, blasted down by the city’s mages, had stained the walls permanently black. Only by a sacrifice of half their number had the mages created the chasm, buying the city some breathing room. Anders didn’t know if it had been worth it.
The horde was unending. This was no time for introspection. Anders whispered silent words to Umwë, and felt a warmth spread from his heart. Energized by golden fire, he stood again, and waited for the next demon to come.
A stone’s throw along the edge of the canyon, his friend Dródi stood, waiting as well. They’d gotten a respite, by whatever luck. “How are you feeling?” Dródi called. Beyond him was another shield-mage, and another, spaced along the canyon, disappearing beyond sight.
Anders shrugged. “Bored,” he called back. He estimated that it was another two turns before his shift would end. Then someone would relieve him, and he’d retreat to Lashtë, to rest and recreate. He looked forward most of all to seeing Gunnvar. They were as good as betrothed, although her father had not made the offer yet. But he knew it was coming.
A flicker of motion caught his eye. Another demon was coming. Anders brought up his hands, and began to summon fire.
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